On Saturday, September 7, I spent several hours on what would be my last visit to the 30 Americans exhibit on display at the Milwaukee Art Museum (MAM). While I do not have official numbers of visitors that day, it was wall-to-wall. I personally knew several people who were going this weekend to see it just one last time—the exhibit closed today, September 8. As one of the Wisconsin 30, I have gone often to participate in the related events, listen to speakers, et cetera—but it’s been so much more than this privilege afforded me. Like many others I was drawn back to it over and over again—each time attempting to absorb the magnitude and wealth of knowledge and information it had to offer. It’s hard to believe that it is over.
Even before the thought of the exhibition’s last showing loomed into view I was aware of what would soon take place. The reality slap came when I received the email from MAM staff giving instructions for the retrieval of my artwork. Many emotions have begun to manifest and I find myself asking, “Is this exhibit the beginning of many things to come (meaning, will similar provocative work find its way to MAM’s doors)? “Was this just another ‘one-of-a-kind’ event that comes once in your lifetime similar to Halley’s Comet?” “Will the timeless historical, cultural, societal, and political relevancy of this exhibit continue to reverberate throughout the hearts, minds, and souls of those who experienced it first-hand?” “Will it just remain ‘colorful eye candy’ to the shallow and simple-minded who wonder how did they (a particular ’30 American’ artist they admired) make it (the piece they were particularly drawn to)? “Is the significance and timing of 30 Americans coming to Milwaukee meant to be esoteric?” “What effect will it have on me and my work?” “What will the youth that visited the exhibit learn from it?”
As I ponder possible answers to these questions my belief that whether you have taken a panoramic or microscopic view of 30 Americans you will admit you are not the same you were before attending. Will you allow that changed person to move you to do something more—to be something more?
Most artists attempt to communicate to the viewer in their work—that’s what we do. It might sound crude, but whether you get it doesn’t really matter—we still has to get it out. The 30 Americans artists were not just speaking loudly—they were shouting!! Did you get it?